Until the age of 40, Chari’s interest in music was restricted
to Tamil and Hindi film music. Listening to Binaca Geet Mala hosted by the
legendary Amin Sayani was a must for him every Wednesday night. In fact, as a
young boy he would get peeved as he was not allowed to listen to his favourite
programme, as his brothers used to listen to Carnatic music on the only radio
available in the house. This resulted in his developing an aversion towards Carnatic music.
One evening he was hosting a dinner for some of his family
members in the more spacious independent house on TTK Road, where his family
had moved in by now and much to his dislike he found that the entire conversation
was revolving around Carnatic music. He felt terribly left out. When he
protested, his brothers-in-law posed a challenge to him; “They asked me to
listen to 500 hours of Carnatic music to realise its magic” and Chari accepted
the challenge.
He started by investing some money on music cassettes of some
famous Vidwans and started listening to the tapes for a couple of hours every
night. His brothers-in-law were proved right. Chari was hooked to Carnatic
music in a big way. Soon he became a donor member of Music Academy, attending
concerts regularly. Chari realized that Carnatic music was not only giving him
great joy but also helped him to become a calmer and a focused person.
Just as he had decided to share his wealth with the
deserving in the society, he also decided to share the joy of listening to Carnatic
music with his close friends and relatives.
His first initiative in this direction was to hold Chamber
music at his remodeled flat in Poes Garden. For 10 years, Chari organized
nearly 50 chamber concerts lasting for about 150 minutes. Many junior and
senior artists performed to a gathering of 60 to 70 people, every one listening
to the “Kutcheris” with rapt attention.
Never satisfied with just offering a feast for the ears,
Chari ensured that every concert was followed by a sumptuous dinner for all the
invitees.
When I asked him about that, he said “I learnt that from my
mother. Seeing the satisfaction of the guests after a hearty meal gives me
immense pleasure”.
Not just the meal. Chari also ensured that every guest who
attended the concert received a cassette containing 90 minutes of the edited
version of the concert,. Only Chari can think of such things; once again
proving his penchant for being different from others.
“Delighting the customers” is a phrase used extensively by marketers
in the corporate world. Chari has always believed in delighting his audience in
more ways than one!
* * * * *
This abiding interest in Carnatic music led Chari to collect
more than 6000 hours of music from not only his own archives but also from
other collectors. As a person with a vision who always believes in thinking
big, Chari realized the need for chronicling and preserving the treasure trove of
music he had collected for posterity.
The idea for a Digital Listening Library was born and soon
Chari persuaded the Music. Academy in
which he was already an executive committee member to provide space for the proposed
TAG Music Academy Digital Listening Archives which he agreed to establish and maintain for 5 years (which he
has now extended by another five years). The Digital Archive was launched at
the Music Academy on 13th December 2008 just prior to the music
festival of that year.
Chari says, “The difficult job of converting and indexing
was done by my enterprising son Prakash and his Team. Empowered by a touch
screen technology, the user can in 10 seconds listen to a song of his choice, categorized
under a raga or name of the song, singer or composer”
Chari`s generosity seems to have no geographical limits. His
dedication to the cause of promoting Carnatic music has led him to sponsor
similar archives in cities like Bangalore, Mysore, Hyderabad, and Pallakad,
apart from the one in Madras University`s Music Department. His foray to
establish such an archive abroad, started with the inauguration of one in
Singapore in association with SIFAS (Singapore Indian Fine Arts Society) and has
extended to three places in Srilanka.
Not content with promoting only music, Chari who had no
great love for Classical dances earlier, decided to also extend his help in archiving Indian classical
dance. The TAG Viewing Gallery was launched recently at the Music Academy
adding one more dimension to the Academy`s efforts in promoting classical music
and dance. The TAG Music Academy Listening and Viewing Archives has ambitious
plans for acquiring 20000 hours of music and many more hours of dance
programmes, in the next five years!
His passion for music and how it should be
received by the audience has now extended beyond TAG Centre which he owns. TAG
Corporation has already sponsored State- of the art auditoriums in eight schools
including the ones in SSMS School, Chrompet Sankara School (Tambaram), Emmanuel
Matriculation School (Pammal), Lady Sivaswamy Iyer Secondary School (Mylapore) ,
Bhavan`s TAG auditorium on Kilpauk garden Road and Ramakrishna Mission School,
Madras South. Chari constructed the Super Tech 400 seater auditorium at the Guindy
Engineering College, his alma mater, which he considers as one of his best
contribution.
According to Chari, “Gifting is fine, but it
is also important to see that it is received and used properly”. So Chari
continues to monitor the institutions where he has extended his support.
In the last couple of years, Chari has been
organising lecture demonstrations to help people appreciate Carnatic Music. He also started supporting efforts to create
greater awareness about Carnatic music among school students by regularly conducting raga
Identification competitions in selected
schools.
The next most ambitious and sustaining
project that Chari launched in February 2002 was the TAG South India Heritage
Programme to develop a deep understanding of South Indian cultural heritage.
Held on the last Sunday of every month, these lectures focus on specific
aspects of South Indian Heritage, by eminent speakers.
Attendance is strictly by invitation and if a person does
not attend three consecutive meetings without informing , his name is deleted
from the invitee list.
Chari is extremely fussy and strict about time management.
Speakers are told in advance not to exceed the time limit. Apart from the
mandatory breakfast before the start of the programme, every lecture is also followed
by a hot cup of coffee, ‘one for the road’ as some of my spirited friends would
call it!
The audience consists mostly of senior citizens, all eminent
people in their respective vocations; however, Chari’s effort to bring in the
younger generation into the programme has so far not been very successful.
Under the auspices of South India Heritage programme, some
160 lectures, lec-dems, music concerts, plays, musical discourses, film shows
and book launches have been organized. Both Tag Centre and the South India
Heritage Programme have become synonymous with cultural excellence. The South
India Heritage Programme recognizes exceptional music talent with the Ramabadhran
Centenary Music Award, instituted in 2004. Eight excellent young musicians have
so far won the award, which consists of a citation and a purse (which in 2012
was Rs 65,000). Likewise, outstanding performances in Heritage promotion by
young achievers are recognized through the Vedavalli Memorial Heritage Award.
Four young achievers have won this award
so far.
Chari encourages music talent in the young in several other
ways as well. Every November, five young musicians are given a platform for a
special afternoon concert, constituting an unusual five-day festival of young
talent.
He has also published a 600 page book titled `South India
heritage-an Introduction` which has contributions from 40 eminent scholars and
which has been edited by Dr. Prema Kasthuri and Dr.Chitra Madhavan. This book
is given free to any one going abroad for further studies.
In the last five years he has been also organising monthly
lectures on various topics connected with religion. Dr.Pappu Venugopal Rao`s
recent lectures on Hinduism under the `Pravachanam Series` has become a big hit
among a select list of 100 invitees. Chari insists on the audience coming in
Dhotis/Sarees for this programme which again is held on a Sunday morning, once
a month.
Chari says, “I have learnt a lot about our heritage and
religion from these lectures. I will continue with this effort and hopefully
someday I will be able to rope in the younger generation to attend these
programmes”
*
* * * *
Chari’s
saga of service to society in the area of health, education, music and heritage
and other social causes still continue.
When
I asked him about any other hobby or interest he has, his face brightened; “Yes,
travelling is a great passion with me. I have so far visited 60 countries. I am
an avid collector of coins and miniature
dolls from other countries. I have so far collected 3000 sets of dolls and 3500
coins. I also have a collection of miniature chess sets”, he says proudly.
Many
of these items can be seen displayed at the well-appointed Party Room on the
fourth floor of TAG Centre and at his home.
On
the professional front Chari has been a recipient of the Udyog Patra Award from
Government of India. The other recognitions he has got include the Best Alumni
Award from Guindy Engineering College and early last year Sunanda Trust presented
the S Rajam Award of Excellence for his exemplary work in preserving and
promoting fine arts, performing arts and cultural heritage of South India.
When
I asked him how supportive his family has been, he said, “My wife has played a
big role in bringing up my children with right values, while I was very busy
with my business and other activities. I also would like to recognize the role
of my brother Gopal and his wife for taking care of my old parents for 30
years, allowing me to help the family in other ways”.
As
for future plans he says, “I want to continue to sponsor auditoriums in
schools. I have already identified schools in Cuddalore and Chenglepet”.
Chari
is a highly focused individual. “I don’t take on any project which I feel will
be a waste of time and efforts. When I find something worthwhile, I totally
concentrate on that just one thing. I am aware that I have a one track mind which
is both my strength and weakness.”
He
is also known for insisting that the recipients of his generosity agree to
contribute something as their share for the project, before he commits to
support it. Anything given free is never appreciated by people, according to
Chari, so “I insist on a ‘deal’ to ensure total commitment from the recipient
of my charity, for the maintenance and continuing success of the project I have
supported”
Since
his sons have taken over the day to day running of his highly successful
business with an estimated turnover of Rs. 150 crores at the last count, Chari
has more time on his hands. I will not be surprised if he comes up with some more
ideas to delight the ever growing number
of his admirers in society!
If
more people start sharing their wealth and passions like what Chari has been
doing for the last 35 years, I am sure this world will be a better place to
live!
(This is the concluding part of the article on Chari, the edited version of which appeared in Madras Musings)